The overall level of depth is shallower than Pigments – fewer audio-rate modulation options and no additional Utility engine, for example – but there’s still a lot of power here. As with Pigments, these instruments each use a multilayered sound engine that combines sample, virtual analogue, wavetable, granular and additive sound sources. In terms of their workflow, the Augmented instruments are functionally very similar to Arturia’s multimode softsynth Pigments. The ‘augmented’ nature of the plugins refers to the blend of samples and synthesis at play, creating instruments that aim not so much for the realism of, say, a meticulously sampled Kontakt library but a more modern hybrid sound suited to electronic music or modern cinematic compositions.Įntering the advanced view offers a considerably deeper level of control and reveals what’s actually going on under the hood of each plugin.
As their names suggest, these focus on string and voice sounds, but it would be a misnomer to think of these as straightforward sample instruments. While both the MS-20 and SQ-80 feel like standards for the V Collection, the two new Augmented String and Augmented Voice instruments are rather more unexpected. Both the SQ-80 V and MS-20 V also benefit from other appealing touches shared by their V Collection counterparts, including configurable macro controls and interactive tutorials that do an excellent job of introducing the workflow of each instrument. The improvements are most evident when adjusting and routing modulation though, and it’s the ability to apply the varied polyphonic modulators to the digital oscillators that result in its most inspiring sounds.Īgain, the synth is expanded with a modern, well-equipped arpeggiator and a four-slot effect section similar to that of the MS-20. Here, users get a far more detailed level of up-front control over the three oscillators and the filter. Like its real-world inspiration, its sound can reach from retro early digital tones to a solid range of synthesised pianos, complex pads and edgy, pulsing synth leads.Ĭompared to other synths of the era, the SQ-80 was accessible when it came to programming, but the expanded view of Arturia’s plugin version is still a welcome addition. A lesser-known highlight from the early days of digital synths, the original SQ-80 paired 8-bit digital oscillators with a Curtis-style analogue filter and analogue amp section.Īrturia’s SQ-80 V has been available for a while, but it’s a welcome addition.
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The other emulation added for V Collection 9 is the SQ-80 V, a software recreation of Ensoniq’s hybrid synthesiser first released in the mid-1980s.
Many already have access to an MS-20, but it’s a worthy addition.
As a synth it has wonderful classic synth FX, drones and percussive tones as well as the more obvious basses and leads. NI’s bundle is broader than the V Collection, with effects and more sampled instruments.Īlthough the MS-20 V is largely pitched at aggressive synth sounds, the MS-20’s semi-modular design has always been far more versatile than it initially appears.
Korg’s own emulation bundle also offers an officially branded – and pretty impressive – MS-20.
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